KATELYN E. BEST, Ph.D.
Lecturer for The Institut für Ethnologie und Afrikastudien
Johannes Gutenberg University
Description
This advanced seminar introduces students to the topic of disability and Deaf culture through the lens of musical performance. The study of disability and Deaf culture within the field of music has been historically dominated by the discursive shadow of impairment—viewed as limiting musical expression, instead of valued as an embodied perspective that shapes it. Yet, ethnomusicological approaches to this area of study have emphasized culturally relativistic constructions of music, and musicians who identify as disabled or culturally Deaf (often jointly categorized under the umbrella label of “disability”) have and continue to push the boundaries of music through their unconventional expressions and experiences of musical sound. Through an examination of the intersections of music, disability, and Deaf culture, this seminar explores the social, cultural, and political mechanisms that have ideologically “othered” the musical output of individuals who identify as disabled or culturally Deaf. Within the context of investigations of ethnographic accounts that encompass a wide range of musical styles, students will problematize mainstream constructions of disability that stigmatize or fetishize bodies and minds of individuals classified under this label and investigate techniques artists employ to subvert these constructions through performance. Students will become familiar with medical and cultural distinctions of deafness and different models of disability, examine musical diversity through embodiments of sound, analyze modes of cultural colonization, and observe ways disability and deafness is performed through music.
Objectives
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Investigate ways the "popular" informs disability and Deaf culture and vice versa
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social, cultural, and political mechanisms that shape meaning
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models of disability and the complexities of deaf culture in relation to disability studies
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Representations of disability and D/deaf identity
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Disability and D/deaf identity as performance
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Explore interdisciplinary perspectives through literature from different fields of study
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Examine intersections within the larger field of identity studies
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Consider changing language in disability and Deaf cultural studies
Assignments
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Readings
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Read each week’s primary readings and one supplementary reading from the list provided in the syllabus
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Media Links (Share and Choose)
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Share a media link (any kind of media —video, song, news piece, artwork, poem, etc.) pertaining to the upcoming seminar topic
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View a media link posted by another person in the seminar and discuss how it relates to the broader theoretical framework of the readings
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Seminar Tasks/Reading Responses
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Formal Presentation (for anthropology majors)
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Final Paper
Seminar Sections
B.A. Program in Anthropology
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Modul 16.8: Ethnologie und Musikwissenschaft for anthropology majors (3rd year)
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Thematic Areas of Social and Cultural Anthropology for anthropology minors (3rd Year)
Master's Program in Anthropology
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MA.Ethn.1: Themenbereiche der Ethnologie
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Module 23: Intercultural Music Exchange
Student Comments
"The seminar, and especially the discussions, gave me the chance to question the society and its relationship to disability and people with impairment, but also to reflect my own opinions and thoughts, which I think is even more important."
"Overall I really enjoyed the class and was not too overwhelmed with the work, apart from some of the coming activities, and I think that the way the class was lead and held really highlights the whole seminar in comparison to many other seminars I have been in."
"Because of the lecture, I keep thinking about how to approach disability and people
with disabilities and avoid things that could harm them physically and emotionally. I keep
noticing things I didn’t before – as small as appreciating the English sub on English videos, or
fellow fans talking and discussing about their disabilities."
"I really enjoyed this seminar! Even though it was a lot of work at times, I definitely learned a lot. I think the media links were very important for us getting familiar with the topic and encouraged us to dig even deeper. This in addition to the texts made it a very intense learning process, but a fast and successful one as well."
"I also liked the media examples because they gave me an impression how present disability is in popular culture and everyday life, even if most people don’t really recognize its significance. I think, I understand now, what it means that disability is on one hand often used as trope, metaphor and narrative but is on the other hand rendered completely invisible."
Course Schedule
Introduction
Disability Models and D/deaf Identity
The Constructed Norm and Imagined Other
Representations of Disability and Deafness in Popular Culture
Cultural Relativism and Deaf Gain
Embodiment and Voice
Performance vs Spectacle
Performativity and Empowerment